King of Pentacles. Manifestation, fire and earth.

   The King of Pentacles is a strong earthy presence. His aspect is that of earth and fire. This card has had a lot to teach me, it has been sat on my desk here for a couple of days while I have come to understand some of what he has to bring.
    More than 5 years ago now I spent time with a gentleman name Craig Junjulas. He ran classes down in Sedona (as still does as far as I am aware) and I had the pleasure of having several private sessions with him in which he offered insights and helped me open further up in my own practise. At one point in a meditation we were doing he commented that I was like a King in armour sat upon a throne whose armour was covered in vines and roots and had become rusted and inflexible. That I occasionally would stir and break the bindings that had grown up around me, before settling down once more. The imagery stuck with me as it was a very apt description of myself. Upon drawing this card I am reminded again of that peculiar analogy.
   The King sits in a garden that has become overgrown and rampant. Branches, frond and leaves all creep up around the dark stone throne he sits upon. Rather than appearing dormant he looks very much aware, even if with his rich gown he appears to disappear into the background. His robes are covered in blue vines, somewhat reminiscent of veins or arteries. Each of these pathways leads to a bunch of succulent grapes a potent symbol of the fruits of life, abundance and the enjoyable things we can partake in.
      Looking upon the card and seeing such abundant life, growing free and wild I was struck how in control of it all he seems. He is absolutely secure in his place, almost rooted to his throne. His roots run deep and hold him fast to his base. His sceptre and the pentacle in his grasp show his grasp of the earth plane. He is a master manifestor, able to bring his desires into fruition.
     His card is the marriage of earth and fire, of bringing the spiritual fire down to the earth plane and creating what he wants. His robes are a riot of colour and pattern of fecund growth. Behind him stands the city walls and towers and minarets of red and blue. The red being a symbol of passion and the blue symbolising communication and transmission of energy. Beneath his robe hides a suit of armour that can be glimpsed on his left leg which rests upon a stone shape resembling the head of a bull or a dragon. He is ready and capable of defending his ground and self assured in his mastery of his element. The placement of his foot on the stone object asserts his absolute dominance.
   Another strong symbol that appears strongly in this card is the bull. Being closely linked to Taurus this card is about a figure who is stable (note the four bull's heads, four being a number of stability). Obviously there is a tendency for this type of individual to be strong willed to the point of bull-headedness and implacable once set into motion. He is not without creativity, but it often applied in a practical manner, his fire applied to earth creates physical objects. Just think of all the objects that need to be smelted or subjected to heat to create their final hardened form.
    For me there is a far greater meaning behind this card. It means applying one's fire or spirituality in a very practical manner. Many spiritual endeavours end up drifting around in the ether, never really finding completion. I have known Taurean artists capable of producing a prodigious amount of artwork, by just seem to be able to sit down and produce piece after piece of artwork. They take great pleasure in creating things of beauty, even to the point of  shutting the rest of the world out. My problem has been there has been so little earth in my chart that the flood of ideas and creativity that runs through me tends to burn away in spiritual or mental matters without ever touching the earth.  Even when I am inspired to create art it is in between all the mental and spiritual things I have going on. I don't know if I will ever be a prodigious producer of art, or even of earthly creations.
    What I have realised though is that this attitude would be most beneficial for me to adopt and to apply in my own life. This occurred very recently for me as I was performing a treatment for a client. He has been coming for several weeks and has had some very beneficial results. He was very complimentary about my work and telling me about all that was going on. Part of me felt jealous of this. How does this guy get to change things so fast? But I realised the ludicrousness of the situation. It was through my work that he was making this progress and I just haven't done that for myself on a practical level for a long while. The king is challenging me to apply my own energy in a practical fashion in my own energy system. So very often I get caught up in the theoretical aspect and ephemeral nature of understanding healing that I never actually get around to fully applying that process to myself. Of course when a client comes through the door I am down to business and apply the energy in a very practical way. I don't spend hours umming and ahhing about what the problem could be or ways to possibly fix it. I know I have a limited amount of time and that is best spent pouring energy directly into the situation on a practical level. After that is done then there is time to talk, but not before the work is done. Somehow I have failed to apply this in my own life.
    With this understanding I can really start to understand there may be something to applying a level of practicality to my own life. The King of Pentacles is nothing if not a practical man, what I have failed to apply in my own life is the time to sit down and actually do the work. To not spend so much time thinking it over, but to simply get it done. I made the mistake of thinking that because my energy exists within my own system then it is working on those parts that need work, but in reality those parts need dedicated attention. I need to put the time into them, not for them to only get the energy residue that occurs when I perform healings for others.
    Part of the problem has been I have viewed the magnitude of some of the issues as insurmountable, while if a client came to me I wouldn't spend time considering this, I would simply do it. Of course I do believe that getting to the point of being able to work directly on myself has not always been available. When I first began my healing work, I could only really pick up on the issues of other, much the same thing happened with readings. For others the readings and healings work great...for myself...not so great. Most people begin with this blockage I feel, they are simply not able to get the level of distance from their own issues to work objectively on them. This was certainly true for me! But as time passed I found that I was able to see some of the problems, but was not able to work on them effectively in the same way that a doctor cannot perform his own surgeries. This caused a great deal of frustration as I had trouble finding people open and aware enough to actually see the problem, let alone work on it..even with my prompting.
    Getting to the point where I can actually perceive and then work on a problem is a new thing for me, so I guess I should go easy on myself. For that I have the King of Pentacles to thank, for without him I don't think I would have tried to do it once again!

2012 and the new awakening

  My monitor died this morning. It didn't happen with a bang, just an almost inaudible buzzing before the screen went black. It is the latest in a series of electronics that have given up on me in the last year. It seems like the universe is trying to give me a message and up until now I don't think I have been listening. The message isn't that technology is doomed and that we are going back to a medieval subsistence farming paradigm (at least I hope not!), it is more personal than that. I think mostly the universe speaks to us in a personal way, about our lives and what we can do to make things better.
   2012 is already upon us and many of us are looking to see something extra-ordinary happen. Whether it is the collapse of the financial institutions to aliens descending from the skies, I think we are all looking for a change in our lives. 2011 was a pretty crappy year for me and I have high hopes for this year. But it is entirely plausible that when 2013 arrives (as it inevitably will) we will look back and wonder what if anything happened. I for one would like to be someone who can say something profound did happen. If I continue to look outside myself for something to happen in order to change my life then I may well be waiting till 2013 and beyond.  Sure, something may happen on an external level and I do think it is time for a change...but I cannot sit and wait for that to occur.
     A fellow blog writer (http://www.jaimemintun.com/) recently wrote that the changes in 2012 are up to us, that we cannot sit and wait for all our wishes to be delivered to us on a plate. I am starting to see the sense in that idea. If nothing does change globally then at least it will have changed personally and I can look back at 2012 and say in all honesty that 2012 brought a great awakening.
      Luckily my monitor has a three year warranty and the nice gentleman at LG said they would even take care of delivery. It is also possible since my current monitor is discontinued that they will supply me with an improved model. None-the-less my days plan has collapsed. As my mind tried to scrabble for what I could do instead, I saw a spark of insight dancing in my being. The day suddenly seemed filled with new possibility, instead of blasting undead with lightning deep underground in the mythical land of Skyrim I could do a myriad of other things. Sure, I would have to stop work on my latest piece of art and also put off completing a teaching manual I was working on, but this ray of light seemed fleeting and would soon disappear if I let it slip from my grasp.
    Another friend of mine writes a blog on truck driving interspersed with philosophical musings (http://isterlings.blogspot.com/) and he recently asked me to give him my opinion on an article related to healing and the dynamics of healing. The article was very long and complex, but one piece stuck in my mind. It was a section on the base chakra (check out the tab at the top for more info on chakras). The interesting part of this article for me was that it related difficulties in the lower chakra to unconsciousness. That once we liberated this unconsciousness, it could be transformed into apathy (the energy of the chakra above) and so on until it was fully released.
     The cord that this struck was that I tend to get pulled back into unconsciousness, or at least semi-conscious states quite regularly. There are a number of different behaviours and habits I have adopted that bring me back out of higher states and lower my vibration. So in the interest of growth I took that spark of inspiration I felt and created a list of all the behaviours that take drag me into states of either unconsciousness or semi-consciousness. Doing this I realised that I needed to do something about this before I was overcome by another one of these habits. So I composed a list of 7 behaviours and 7 replacement habits I could cultivate in their stead. What I intend to do is to have my own 2012 awakening and do my part for global enlightenment by sticking to this throught 2012. It's kind of a challenge, but I think that is the point!

  Anyway here are the lists:
 Behaviours that create unconscious or semi-conscious states:
 1. Listening to my ipod (this is actually one of the piece of electronics that malfunctioned and no longer allows me to update my song list. I am literally stuck in the past when I listen to it..or at least my song choices from 2008).
  2. Playing Video games. This one is pretty difficult for me as I tend to play them to chill out and really enjoy them, plus I don't wish to martyr my enjoyment on the altar of growth. In order to do this I will not play games I have already finished, have not been waiting for or are for the purpose of killing time (and consciousness).
  3. Watching TV shows online. I don't have a problem with a weekly show, but I have fallen into the habit of watching them to pass the time or to distract me while I work on something else. So, like video games, no repeat show watching or for time or consciousness killing.
  4. Browsing Online. This is anything from forums, articles, flash games to craigslist or other supposed "constructive" uses. Facebook would be here if I liked or spent time here!
   5. Eating badly. For me this is sugary or chocolaty snacks mainly. Although some foods make me sleepy which is the same things as lowering my vibration.
   6. Working in jobs that limit my enjoyment. Not that I have such a job now, but I have a tendency to spend huge swathes of time making money at the expense of joy or growth. Realising that these jobs are not beneficial to my consciousness and it's growth should be enough. Such jobs are one in which I am counting down the hours till I finish or make me feel bad about myself and my life.
   7. Oversleeping or dozing. I tend to sleep long and late and will occasionally use dozing or napping as a way to pass time. This is spending time in unconsciousness in its purest form and if I can cut it back to the simple amount my body needs for rest then I will not be wasting opportunities.

Rather than just going cold turkey on them all I have also created a list of things I can do to replace the time that becomes available.

  1. Stretching or exercising. I often feel I have little time to do this, but it is simply not true. What happens is I get stuck in an unconscious or semi-conscious pattern.
  2. Un-distracted artwork (or creative endeavor). I like artwork, but the truth of it is I sometimes find it difficult to do so without a form of distraction (which inevitably gets turned off once I really start). Often finding a suitable distraction will take up more time and energy than the actual creation of the artwork!
  3. Meditation. This is simple enough and always beneficial.
  4. Conversation on enlivening topics. I wanted something on the list that wasn't solitary and would help me avoid listening or partaking in gossip or discussion of people's problems.
   5. Body or Energy work. This includes for myself and others.
   6. Productive or constructive work. From writing blogs, to creating value for my products or services that will eventually benefit others. This may include jobs that are growth inducing or learning new skills (languages, instruments, techniques).
   7. New or enjoyable experiences. Whether this is starting a class, going somewhere interesting or new or trying something different. Providing it is dropped if it is not enjoyable or productive.

  Hopefully I can maintain this, but putting it out there means I have to take it a lot more seriously than if I just wrote it in my journal!
  I believe increasing my own consciousness is a good way accelerate the process of global enlightenment and feel good about myself at the same time.

Creative block

There has been a significant block in my creative life that I have (hopefully) banished within the last few weeks. I am still going through the debris that is left behind after you shatter a block and keeping my eyes open to make sure it doesn't re-establish itself if my attention wanes.

An old friend recently commented on my most recent artwork and I began to relay why it had been such an ordeal for me to create. As I was doing so I realised that I had kept this particularly ugly incident in my life under wraps all those years ago and those closest to me at the time had no idea what I had been going through. This was pretty much par for the course all those years ago, I had no idea that I could share my burdens and have the support of my friends and maybe they could have helped the skewed perspective that I left within.

I have always had a great love of fantasy, I recall reading the Greek myths when I was only 6 or 7 years old (in a children's format of course!) and imagining what it was like to ride a Pegasus to battle and defeat the Chimera. My love of drawing was something that I also developed, although I remember most of my school projects revolving around shoes and actual still life objects. When I got to my teens I do recall drawing dragons and knights along with the typical space ships and ninjas. Although I think that my life drawing was better and I preferred the attention those got rather than my imaginative drawings.

My experiences at high school and college were less than thrilling with regards to my art. With the exception of a few talented life drawing teachers my artistic aspirations were struggling through a barren wilderness. Most of the art teachers felt it was perfectly acceptable to leave the class room and often not re-appear till the end of the class. I was a child that needed constant direction and I often felt lost in those times and my artwork would suffer. College was worse and it could often number in the weeks before I could spot a teacher lazily drifting down the hall with a mug of tea in their hands and the projects often consisted of little more direction than "do whatever you want". This was great for the driven artists (of course there are always a few) who decided to create exhibits of rotting meat, curtains of used nappies (diapers) and images of women attached to milking machines. I yearned for the days of the simple project...just draw your shoe. But alas those simpler days had gone.

University dawned brightly for me and for the first few years I got back into my stride. Many of the projects I was given as an Illustration major were a challenge to me. We learned to master the different mediums and unusual techniques in watercolours, acrylics, chalk, charcoal, etching....you name it, we learned it. Then the second year dawned and we moved onto individual projects and "briefs".  I recall doing a project in which we combined parts of an animal together from various reference to make a "chimera" in the most technical sense. I loved the project and it must have awoken something in me because I realised that if I could draw anything I wanted then surely I could begin to draw fantasy pictures once more.

The next project I decided to paint a wizard casting a spell surrounded by a celtic knot-work border. It took me a while to master how to draw the intricacies of the knot-work, but eventually I finished my piece. When it came time to show our tutor our work I happily showed my work to her, hoping for some encouragement. Unfortunately she seemed to consider the piece and then said to me " You aren't good enough to do this kind of work, you never will be. It would be better if you tried to do something that uses what skills you have. Fantasy art is so competitive and you need superb references. Better to do something that will sell."

I guess I should have just disregarded what she said, but to me, a person who needed that firm direction it seemed like good advice. I could see how I might not be good enough. She was the tutor, what did I know about fantasy artwork? I didn't want to be poor did I? So I put away my ideas of pure fantasy and concentrated on what I was good at.

Unfortunately things didn't get any better. The three female teachers who ran the course had been in a review with one of the female students and had remarked that they believed men had it easy in life compared to women and that to rectify that they lowered the grades of all the male students. The female student decided that it was not really her place to do anything or say anything (other than to let some of the guys know). This meant there was no ground to lodge a complaint.

In the third year I decided that I would try my hand at computer artwork..maybe get a job in the games industry, another of my passions. So I spent my time learning the software by myself to produce some artwork. They didn't respond to well to that either. They said that computer art was cheating and there was no future in it and that I had better stop trying. At this point my stubbornness kicked in and I kept on with my projects. This was stopped when they said if I kept trying they would simply fail me regardless of how good my work was.

At this point exhaustion took over and I decided that I would at at least like to come away with a passing grade. As you can imagine, I stepped away from artwork as soon as I finished my schooling and didn't touch pencil to paper for almost 8 years. What caused me to pick it up is another story, but the block remained.

I realised this year that I could no longer abide having listened to their "advice" and would not be free until I had produced a piece of fantasy work in 3D. The picture below is the result of that thought. I used no reference and it came wholly from my imagination.